Racist trees? That stirs an intriguing film

If you happen to love trees (many people do) and hate bigotry (most do), this was a tough one:
In Palm Springs, Cal. (shown here), there was a spirited debate about removing trees that formed a racial border. That’s the focus of “Racist Trees,” a compelling documentary that reaches most PBS stations at 10 p.m. Monday, under the “Independent Lens” banner.
Even that title has split people. Fox News mocked the notion: Can trees really be racist?
No, but they can be a racial barrier. Many things can. In Michigan, a river separates Benton Harbor (89 percent Black) from St. Joseph (88 percent White). In Florida, a highway separates the impoverished Liberty City area from the wealthier sections in other parts of Miami. Throughout the nation, studies have shown, highways shattered Black communities. Read more…

Week’s top-10 for Jan. 22: lots of finales and debuts

1) “The Bachelor” opener, 8-10 p.m., today, ABC. Joey Graziadei (shown here), the “Bachelorette” runner-up, gets his chance to do the choosing. He’s 28 and teaches tennis; he’ll meet four women in their early 30s and 28 in their twenties. There are three nurses, a mental-health therapist and a mental-health counselor. There’s also an actress, an artist, an “esthetician,” a nanny and a pro-football cheerleader. Read more…

Best-bets for Jan. 20: new “SNL,” old “Will”

1) “Saturday Night Live,” 11:29, NBC. One quick route to being an “SNL” host seems to be portraying Elvis Last season had Austin Butler, the “Elvis” star; tonight is Jacob Elordi, the “Priscilla” (shown heee) co-star. (He also did “Euphoria” and the “Kissing Booth” movies.) “SNL” had eight new episodes in 10 weeks, before airing four straight reruns. Now it’s back; Renee Rapp is the music guest. Read more…

Best-bets for Jan. 19: modern crises and Ben Franklin

1) “Benjamin Franklin,” 9-11 p.m., PBS. Franklin (depicted here) rippled with contrasts. He was a left-brain guy who invented the lightning rod, bifocals and Franklin stove, a right-brainer whose wrote cleverly. He was warm and lovable, but fought with his family, owned slaves and ran slavery ads in his newspaper. Ken Burn created this rich profile, which reruns over two Fridays. Read more…

Forget the Globes: Emmys prove awards can be fun

So it turns out that an awards show can be fun. We don’t know what the Golden Globes’ excuse is.
The Emmy telecast Monday (Jan. 15),shown here with winner Quinta Brunson and Carol Burnett, was mostly enjoyable, despite the obstacles.
Those were the 27 awards that had to be handed out and 24 acceptance speeches that had to be endured. (We’re eternally grateful to the winners who were absent.) Read more…

Strikes pushed networks into wise and foolish moves

Necessity, we’re told, is the mother of invention … and of desperation and foolishness.
That was evident when networks pieced together makeshift schedules, because of the writers’ and actors’ strikes. Some steps were wise, others (including the British “Ghosts,” shown here) were not.
That phase is finally concluding now, as shows gradually start their post-strike seasons. But first, we should pause and look at that time and its interesting quirks.
We’ll stick to the five commercial broadcast networks, because the others were less affected by the strikes. Among other things we learned: Read more…

Best-bets for Jan. 17: a fiery drama night

1) “Chicago Fire” season-opener, 8-11 p.m., NBC. Producer Dick Wolf gets the prize for quickly getting dramas back, post-strike. He has three “Law & Order” ones Thursday, three FBI ones next month and three Chicago ones now. This is a fairly ordinary hour, with an arson probe, a fire (shown heere) and staff changes. One person is gone, one is back, one is leaviing … and life goes on. Read more…

Best-bets for Jan. 16: “Fargo” ends, “Death” begins

1) “Fargo” finale, 10 p.m., FX; repeats at 11:07, 12:13, 1:19. A great show hits all of its odd extremes. The opening minutes are slow and brutal; the cruel Sheriff Tillman (Jon Hamm) prepares for battle as his blinded son wanders and his nasty dad taunts. And the final minutes are pure “Fargo,” with an ending that matches the original movie. In between, Dot (Juno Temple, shown here in the opening episode) tries to flee from Tillman. Read more…

Netflix gives us a lift (sort of)

There is a place in life for films like “Lift.”
That place, of course, is a movie theater – big screen, comfy seat, tasty popcorn, forces conspiring to create a suspension of disbelief.
But “Lift” (shown here) alas, has just debuted on Netflix. In our living room, it’s kind of fun if we remember not to think about it too much. Read more…