PBS has fresh surge of election specials

As the political conventions ended, networks retreated to their previous lives.
They have new game shows and old cop shows. The election is confined to their newscasts and occasional debates.
With one exception. PBS was the only broadcast network to give all of prime time to the conventions; now it has more coverage. In addition to “PBS News Hour” (7-8 p.m. weekdays on most stations) and any debates, that includes:
— “Counting the Votes” (shown here), 9:30 p.m. Tuesday (Aug. 27). Margaret Hoover starts with Jeb Bush and the bipartisan reforms that followed the 2000 election chaos in Florida. She goes on to tour other states and finds, among other things, that virtually every presidential vote is now on paper. (I posted a story on this previously, but I’ll include it at the end of this list.) Read more…

Best-bets for Aug. 23: zesty concert and lotsa movies

1) “Great Performances,” 9-10:30 p.m., PBS. Amid the beauty of an Austrian palace (shown here), Here’s a high-octane concert by the Vienna Philharmonic. Conductor Andris Nelsons opens with Wagner, closes with waltzes and has propulsive numbers in between, led by “Sabre Dance.” Lise Davidsen, who often sings of death and despair, gets a burst of Verdi joy. Read more…

Donahue led the golden years for daytime talk

Phil Donahue, who died Sunday at 88, reflected a time when we could find neat surprises in odd parts of the day.
There were entertaining shows – Merv Griffin, Mike Douglas, Dinah Shore, Rosie O’Donnell, Ellen DeGeneres. And there were the two masters who could do it all – Donahue (shown here) and Oprah Winfrey.
And yes, those entwined. As a kid, O’Donnell would rush home from school to watch Griffin; Winfrey has said there would be no “Oprah” show if there wasn’t a “Donahue.”
Those two might talk lightly with stars one day … do family issues the next (Donahue even had on-air DNA tests) … then tackle major issues. Read more…

Blake’s films were fun to watch … and to make

Blake Edwards had this odd notion. Movies, he felt, should be fun to make and to watch.
That first always seemed true. “He would fall off his chair laughing,” Lesley Ann Warren told the Television Critics Association.
And the second? Audiences loved most of his Pink Panther movies, shrugged at some of his other films, then buzzed about “10” and “Victor/Victoria.” Edwards received an honorary Academy Award, then was semi-forgotten.
Until now. At 8 p.m. Tuesday (Aug. 27), PBS’ “American Masters” offers a jaunty journey through Edwards’ life.
This was a writer/director known for broad comedies like “The Pink Panther” (show here). But his work was different: Read more…