News and Quick Comments

At last, a bit of good news: There will be a Tonycast

With TV mired in its summer-and-strike slump, viewers need a shred of good news.
Now they have one: There will be a Tony telecast, after all. It will be June 11, Ariana DeBose (shown here) will again host and – if the past is any indication – it will be great fun.
CBS had already been promoting the show, but others had doubts. If writers were picketing, performers might have stayed away in support. Read more…

CBS delays summer shows until August

CBS has finally acknowledged (sort of) that the writers strike will disrupt its fall schedule.
The network is starting some of its summer reality shows later than usual. That will nudge them into what would would usually be the start of the new season. The dates are:
— “Big Brother” (shown here with host Julie Chen) starts its 25th season on Aug. 2. Last year, it started four weeks sooner.
— “Superfan” sdebuts a week later, on Aug. 9. It had originally been set for June 9.
— “Secret Celebrity Renovation” starts July 28, but “The Challenge: USA” will wait until Aug. 10. Read more…

For CW, it’s a near-total makeover this fall

Dealing with duo forces – new owners and the ongoing writers strike – the CW is tossing out most of its schedule.
Gone next season will be the superheroes that filled the mini-network. Only two scripted shows will be back: “All American” arrives this fall, paired withg Courtney B. Vance’s “61st Street” (shown here); “Walker” is expected at mid-season.
The rest of the line-up has reality shows, plus scripted ones that have already started airing in other countries, mainly Canada. Read more…

ABC’s extreme step: a line-up without scripted shows

ABC has taken a drastic step that other networks avoided:
It is acknowledging that the writers’ strike will scuttle the start of a normal season, this fall. Instead, it has planned something very abnormal – a complete, 22-hour schedule with no new, scripted episodes.
That would cut off viewers from “Grey’s Anatomy,” “Station 19,” “The Rookie,” “The Good Doctor,” “Will Trent” and more, including “9-1-1,” which is moving to ABC from Fox. To fill all those holes in the schedule, the network will:
— Give double-duty to its “Bachelor” franchise: “The Golden Bachelor” – an older-person version of the show – will be at 10 p.m. Mondays (past the bedtime for some seniors). For people who prefer friskier singles in swimwear, “Bachelor in Paradise” (shown here from last season) will be 9-11 p.m. Tuesdays Read more…

It’s a new look for a still-menacing king

For 429 years, actors have been striding onstage to proclaim: “Now is the winter of our discontent.”
Laurence Olivier and Ian McKellen did it in movies of Shakespeare’s “Richard III.” Al Pacino, Mark Rylance, Jose Ferrer and others did it on Broadway. There have been at least 21 productions on Broadway, maybe 21 zillion in England.
Most of the stars have (like the real King Richard III) been male and white. “Four-and-a-half centuries of white dudes – I mean, let’s shake it up a little,” Danai Gurira said to the Television Critics Association.
That’s what she did in a New York Central Park show, which will air at 9 p.m. Friday (May 19) on PBS’ “Great Performances.” Gurira(shown here) – best known as Odeye, the African warrior leader in “Black Panther” movies – is Richard. Read more…

CW’s solution for summer and fall: O, Canada

Maybe the “C” in the CW network stands for “Canada.” Consider the moves this week:
— One day, CW announced an ambitious summer schedule that includes four scripted shows from Canada, three new and one (“Family Law”) returning.
— The next, it said another Canadian show will be on its fall schedule. “The Spencer Sisters” (shown here) will star Lea Thompson and Stacey Farber as mother-and-daughter detectives. Read more…

CW loads its summer with new (to Americans) shows

Maybe the CW network didn’t get the worry-about-the-strike memo.
Showing no signs of caution, the mini-network has announced a summer line-up that will be filled with new episodes … or ones that are new to American audiences.
That includes lots of scripted shows – American, British, Australian (shown here) and (especially) Canadian – plus some non-fiction.
With the prospect of a long Writers Guild strike, networks might have been expected to cache away prospects. CBS has announced a fall schedule with only two new shows. During the pandemic, CW used Canadian shows to prop up its fall line-up; that year, Fox delayed two summer shows until fall.
But the new summer plan indicates CW is holding nothing back. Read more…

Strike quickly jolts broadcast TV

Life, you may have noticed, is rarely fair.
That’s become clear now, as the Writers Guild strike settles in, leaving an uneven impact:
— At one extreme are the movie studios, which pile up scripts and projects far in advance. For now, everything seems unchanged – same superheroes, supervillains, super collisions.
— In the middle are the streamers and a few cable networks. They try for the movie-studio approach.
— At the other end are the commercial broadcast networks. For them, the effects are instant and jolting; Pete Davidson (shown here) was one of the first to be smited. Read more…

CBS uncancels “SWAT” and adds games

Staring into a foggy future, CBS has made some quick shifts.
Today (May 8) it did something rare – uncanceling a show: “SWAT” (shown here) will be back next season, after all; however, another police drama, “East New York,” will not.
That came after recent moves to add two primetime game shows. Both will be produced and hosted by leading-man types – Josh Duhamel and Jaime Camil.
The games seem to be well-timed: The writers strike is expected to be long-term, leaving networks in need of unscripted shows. The cop-show switch, however, was unusual. The details: Read more…

“Bridgerton” prequel: some greatness, then very-goodness

In its first hour, the “Bridgerton” prequel seems ready to be a really great show.
It soon retreats into merely being a very good one; it insists on emphasizing – and even expanding — a crisis from history. But that opening hour is a gem.
“Queen Charlotte: A Bridgerton Story” (shown here) is a six-parter that arrived recently on Netflix. It maintains the lush look and vivid characters, while jumping between two timelines.
There’s the one we know from the first two “Bridgerton” seasons: King George, descended into madness, is mostly invisible; his wife Charlotte is the unflinching, unsmiling ruler. And there’s this prequel time, when she was 17, heading to marry a king she’d never met. That’s the part that produced three amazing scenes in the first hour: Read more…