Year: 2021

Best-bets for Jan. 31: Dramas ponder slavery and sexism

1) “Masterpiece: The Long Song,” 10 p.m., PBS. Here is Jamaica in the 1830s, offering visual beauty and emotional pain. Hayley Atwell – thoroughly transformed from her work as Peggy Carter in the Captain America films – plays an empty-headed plantation-owner, with Tamara Lawrence as her slave. Then a man (Jack Lowden, shown here with the women) arrives with news. This three-week story veers toward soap-opera turf, then evolves into a nuanced drama – beautifully filmed, skillfully acted and, at times, wrenching to watch. Read more…

Week’s top-10 for Feb. 1: Black history, super Sunday

1) “The Equalizer” debut, about 10:30 p.m. ET Sunday, CBS. This is, very simply, the best post-Super-Bowl show since “The Wonder Years” arrived, 33 years ago. It’s beautifully written, sharply filmed and perfectly played. The original notion had a guy – Edward Woodward in the series, Denzel Washington in two movies – help people who couldn’t turn to officials. Now Queen Latifah (shown here) plays a former CIA agent who has skills, compassion, a teen daughter and high-tech help. It’s a deeply involving debut. Read more…

“Long Song” mingles classy drama and soapy bits

As “The Long Song” begins Sunday (Jan. 31), we’re clearly in a distant time and place.
This is Jamaica, early in the 1800s. It has blue sky, sprawling vistas … and deep, wrenching pain. Caroline Mortimer (Hayley Atwell, shown here with Tamara Lawrance)– who owns the plantation with her brother – mostly stays in the mansion while her sadistic overseer drives the slaves.
Then come all the events – love, lust, rape, revolt, betrayal – that we might find in a Harlequin novel or in a quality production. By the end of the three-week mini-series (9 p.m. Sundays on PBS), we’re left with the same question raised by Netflix’s recent “Bridgerton”mini-series: Where is the line that somehow separates tawdry soap opera from classy, period-piece drama? Read more…

Best-bets for Jan. 30: “SNL” starts its Biden era

1) “Saturday Night Live,” 11:29 p.m., NBC. After a five-week rest, the show begins its Biden era. John Krasinski hosts, Machine Gun Kelly is the music guest and the presidential focus shifts. In the most-recent new episode (Dec. 19), Alex Moffat – who had often played Eric Trump (as he does here, left) – became Joe Biden. Previously, that role went to Jason Sudeikis and then, for six election-time episodes, Jim Carrey. Read more…

CBS may have all-Lorre comedy night

By this spring, CBS could reach a worthy goal – an all-Chuck-Lorre comedy block.
The network announced today (Wednesday), that “United States of Al” (shown here) will debut at 9:30 p.m. Thursday, April 1, after “The Unicorn” finishes its season.
If nothing else changes, that would put it after three other Lorre comedies – “Young Sheldon,” “B Positive” and “Mom.” Lorre also has “Bob (Hearts) Abishola,” at 8:30 p.m. Mondays. Read more…

Best-bets for Jan. 29: “Kane” leads a great movie night

1) “Citizen Kane” (1941), 8 p.m., Turner Classic Movies. The American Film Institute’s best-movie list covers a century-plus of masterworks. This is No. 1 – just above “The Godfafher” and “Casablanca.” It’s a prime example of “auteur” filmmaking, molded by one person’s vision. Orson Welles (shown here) conceived, directed and starred in it; he also claimed he’d co-written it. (He only offered a couple ideas to the writer, but co-accepted an Oscar for the script.) The result weaves words and pictures perfectly. Read more…

Best-bets for Jan. 28: comedy, college, cable movies

1) “Grown-ish,” 8 p.m., Freeform. This was originally built around the college life of Zoey (shown here), from “Black-sh”; she still narrates, but tonight’s story ranges afar. Ana reaches a turning point in her romance and Aaron finds his activist spirit revived. This isn’t quite a comedy – there are plenty of them on Thursdays – but it is a crisply filmed half-hour, with likable young people exploring life. Read more…

No, Dr. Harry isn’t from around here

Like most small towns – well, most small towns in TV shows – Patience, Colo., has odd folks who feel like they don’t fit in.
But in “Resident Alien” (debuting at 10 p.m. Wednesday, Jan. 27, on Syfy), one guy is far odder than the rest. That’s Dr. Harry Vanderspiegle … or, to be precise, the outer-space alien who killed the doctor and then assumed his human form.
“Everybody has the same experience,” Alice Wetterlund, who plays D’arcy, a friendly bartender, told the Television Critics Association. “We’re all trying to fit in, in our own way.”
It’s just that this Harry (shown here) has to try harder. He’s not from around here. Read more…

Best-bets for Jan. 27: A sci-fi delight debuts

1) “Resident Alien” debut, 10 p.m., Syfy. Newcomers often have a tough time fitting in. Now imagine you’re a being (shown here) from another planet, pretending to be the guy you killed. It’s easy to look like him physically (what with shapeshifting and such), but how do you learn the attitudes? This is partly a comedy, in the Sheldon/”Big Bang” style of trying to grasp the human condition. But it’s from Steven Spielberg’s company and also offers sleek, science-fiction visuals, with gorgeous Vancouver backdrops. Read more…

“Frontline”: GOP “capitulated” to Trump

The images rippling through “Frontline” are familiar enough, with a mob (shown here in a news photo) storming the Capitol.
But beyond that, the hour (10 p.m. Tuesday, Jan. 26, on PBS) asks a broader question: How did these people entwine with the stately restraint of the Republican Party?
“We’re the party of Lincoln,” Bob Corker, the former Republican senator from Tennessee, says in the film. So “demonizing people because of their color or background (is) not the party I grew up in.”
It’s convenient to simply point to Donald Trump, but Charles Sykes, a conservative author and former radio host, takes a wider view: “The Republican Party completely capitulated to him.” Read more…