The new TV seasons -- soldiers, sci-fi and scares from real life


The previous blog took an overview of the current TV world; this one views some of this fall's key trends. These are part of the season-preview package I sent to papers; coming next are separate breakdowns on the new sci-fi, military, comedy and drama shows.

 

By Mike Hughes

What can we expect
from this new TV season? Well ... a lot of everything.

There will be an
overload of scary sci-fi creatures and of scary, real-life killers.
There will be new batches of soldiers and singers and such. And there
will be quirks; for instance:

-- The new “Star
Trek” show doesn't look much like a “Star Trek” ... but another
show (Fox's “The Orville”) DOES look and feel like “Trek.”

-- Most networks are
trying fantasy shows; Fox has three new ones this fall, plus an
“X-Files” return at mid-season. But the CW -- which has been
sci-fi obsessed – has no new ones. It's adding a military show --
“'Valor is extending the CW brand,” producer Mark Pedowitz said
-- and a “Dynasty” remake.

Yes, “Dynasty”
is back; that's one of this year's mini-trends. Here's a sampling:

The old is new

TV keeps
reharvesting its old shows. This fall brings remakes of “Dynasty”
and “S.W.A.T.,” plus the return of “Will & Grace”; by
spring, we'll have “Roseanne,” “X-Files” and “American
Idol.”

Some of that
requires scrambling. “Roseanne” will forget that it killed Dan in
the series finale; “Will & Grace” will also ignore its
finish. “The finale was written when there was no anticipation of
ever continuing the show,” said NBC chief Bob Greenblatt.

Occasionally -- “Lethal Weapon,” “MacGyver,” “Hawaii
Five-0” -- such things succeed, so new ideas

keep popping up.
“You can't imagine the re-dos we're batting back,” said NBC's
Jennifer Salke.

She won't mention
which shows she's rejected, but the mind swirls. So far, no one has
tried remakes of “F Troop,” “My Mother the Car” or “Cap'n
Billy's Mississippi Music Hall.”

True crime prospers

A year ago, “The
People v. O.J. Simpson” gobbled up praise and awards. Hollywood
noticed.

“There's an
audience that loves those true crime, lurid stories,” Greenblatt
said.

There are the quick,
one-time stories. They fill up news magazines (“Dateline,”
“20/20,” “48 Hours”), cable movies and more. Oxygen has
switched over to all-true-cirme, joining Investigation Discovery.

And there are bigger
projects, hoping for O.J.-style depth.

The “Law &
Order” producers will re-tell the Menendez Brothers case over eight
NBC hours, with Edie Falco (“Sopranos”) as colorful lawyer Leslie
Abramson. Writer-producer Rene Balcer, Greenblatt says, has “a
treasure trove of information and research.”

In November,
Lifetime will have kidnap victim Elizabeth Smart telling her story,
in both a movie and a documentary. At the same time, Oscar-nominated
documentary-maker Joe Berlinger retells the story of the Clutter
Family murders – the subject of Truman Capote's “In Cold Blood.”
And in January, the “O.J.” producers are back on FX, with the
lushly filmed “The Assassination of Gianni Versace.”

And more

-- After the
failures of its music shows – from “Duets” to “Boy Band” --
ABC will try an “American Idol” revival, spending a fortune for
Ryan Seacrest to host and Katy Perry to judge. Fox, which once soared
with “Idol,” counters with a music show called “The Four,”
but may wait until summer. “I don't anticipate that we'll put it up
against 'The Voice' and 'American Idol,'” programmer Dana Walden
said.

-- Cable and the
streaming channels have already launched strong dramas, including
“Mr. Mercedes” and “Get Shorty.” That was just a warm-up, as
evidenced by the Sept. 10 line-up: HBO starts its ambitious “The
Deuce” ... Starz returns its popular “Outlander” ... and
Sundance launches a compelling, three-night mini-series: “Top of
the Lake: China Girl.”

-- And PBS keeps
swiping attention, peaking Sept. 17 with Ken Burns' epic “The
Vietnam War.” For 10 nights and 20 hours, the best TV will be on a
free channel that doesn't have commercials.