It's sex & drugs & fights & more


Even when other networks were ducking into Olympic-time reruns, FX boomed ahead with new episodes of good shows. Now the Olympics are over and people might notice again. There's an excellent "Tyrant" episode Wednesday, the "Strain" season-opener on Sunday and some darkly funny comedies in early September. And "Sex&Drugs&Rock&Roll" is ending its season sharply, over the next two Thursdays (Aug. 25 and Sept. 1). This week's episode includes a Denis Leary specialty, the big fight scene. Here's the story I sent to papers:

By Mike Hughes

There are certain
things we expect from a Denis Leary show – comedy and chaos, rock
and rage, Callie Thorne and a big fight scene.

Now it's all there,
in this second season of “Sex&Drugs&Rock&Roll.”
Thursday's episode starts by introducing Thorne as the noisy and sexy
ex-lover of Johnny Rock; it ends with a massive fight scene.

“We spent a lot
time with storyboard artists, mapping it out,” said
director-producer Jim Serpico. “Then we brought everyone in the
room and it completely fell apart.”

Fights are a Leary
specialty, both in real life and on TV. “Rescue Me” gave Tommy
(Leary) verbal fights with Thorne (who played Sheila, his cousin's
noisy widow) and physical ones with others. He sent his brother to
the hospital ... which may have beenn foreshadowed by real life.

“I shared a room
with my older broyther for 18 years .... We fought all the time,”
Leary said. “My brother was into (progressive) rock in the early
'70s, which is the worst music in the world, and we only had one
little stereo system to share in the room. So we fought all the time;
I melted his records.

“My brother's
bigger than me and can beat the (bleep) out of me. I was like
0-and-375 against” him.
Later, Leary learned how the other half
lives. On a podcast, comedian Marc Maron told him he doesn't get in
fights; for Leary, 59, who grew up as a hockey player near Boston,
that's inconceivable.

“The Corelli
brothers lived next to me, man,” he said. “They used to get in
fights. Their father used to come out with a hose and hose them down
.... We just expressed our opinions all the time, very loudly.”

So do his
characters. Now Johnny is surrounded by three strong women:

-- Gigi (Elizabeth
Gillies), the daughter he didn't know about. She wants to be a star,
with his mentoring, her mom's money and her own immense talent.

-- The mom (Thorne),
who arrives this week.

-- Ava, his
long-time back-up singer and lover. This season, she's flashed strong
talent as a cabaret singer. “Denis writes women so well and makes
them so strong,” said Elaine Hendrix, who plays her. “And I get
to do comedy and I get to perform. It's this dream moment.”

Then there are the
guys in the band. Rehab (John Ales), the bassist, and Bam Bam (Robert
Kelly), the drummer, are still arguing about Rehab's Broadway
musical. Flash (John Corbett), the lead guitarist, was Gigi's lover;
she rejected his marriage proposal and he ended up with Ava.

That left a father
and daughter feeling simultaneously abandoned. “Johnny and Gigi
really kind of bond together,” Leary said. “He starts to slowly
but surely become a responsible dad.”

Still, Leary's shows
aren't about pouting. Gigi remodelled Flash's apartment with a
chainsaw; tonight, everyone gets involved in thefight scene –
inspired by one Leary once saw, involving rockers: “Nobody wanted
to hurt their hands or their faces, because they all had gigs coming
up.”

All of this
commotion is pretty much the opposite of Corbett's real life. He's
had a 14-year relationship with Bo Derek (of “10” and poster
fame), living in rural California.

“If you saw my
life at home, you'd be bored,” he said with a grin. “I might be
to sleep by 9 o'clock and up at 6 to feed the horses.” Then work
beckons; he enters Leary's world of creative chaos.

--
“Sex&Drugs&Rock&Roll,” FX network

-- New episode --
introducing Callie Thorne's character and ending with the fight scene
– is 10 p.m. Thursday (Aug. 25), rerunning at 11:06 p.m., 1:39 a.m.
and then at 10:30 p.m. Sept. 1

-- Previous episode,
with the Broadway opening, reruns at 10:33 p.m. Thursday.

-- Season-finale is
10 p.m. Sept. 1, rerunning at 11 p.m. and 1:30 a.m.

 

From a flop (this Saturday) to a maybe-hit (next month): It's Justin Hires' rush hour


By Mike Hughes

For Justin Hires,
this is an actor's life in overdrive – a big break, a big bust,
then a new chance.

On Saturday, his
“Rush Hour” series has its finale; it's a good one, he said. “You
get to see some real emotion from the two characters.”

Chances are, most
people will be watching the Olympics, instead. But a month later,
he'll have a supporting role in “MacGyver,” a stronger prospect.
It's “an iconic franchise (that) really fits the time period” of
8 p.m. Fridays, said CBS programmer Glenn Geller.

After the furious
pace of “Rush Hour,” Hires can take it easy. Lucas Till (Havok in
the X-Men movies) is MacGyver, the inventive hero, with George Eads
(“CSI”) being tough and Tristin Mays being tech.

That leaves Hires,
31, as the best friend and roommate “who somehow doesn't know what
I do,” Till said. “When you first meet him, he's making waffles.”

Heroes need friends;
they also need waffles. “I bring a little heart and humor to the
show,” Hires said.

That comes easily to
him. Growing up in St. Petersburg, where his mother is an area school
superintendent, Hires matched some of the traits of his dad, a hair
stylist ready to talk to anyone. “I've always been a natural
extrovert.”

By age 9, he was
doing theater. He went on to Clark Atlanta University and stand-up
comedy. Acting jobs, however, were scarce until he got two breaks –
a supporting role in the “21 Jump Street” movie, then a starrig
one with Jon Foo in the “Rush Hour” series.

Here was a role that
Chris Tucker played in four movies. Hires had big bursts of dialog,
humor and action ... a massive undertaking. “When you add giant
explosions and car chases and gun fights and martial-arts fights, ...
it feels relentless,” producer Bill Lawrence said.

And then the show
promptly died in the ratings. Saturday's finale – Hires and Foo go
undercover among gang bosses, hoping to extricate the latter's sister
from a life of crime – may go unnoticed.

After finishing it,
Hires had a six-month dry spell, before the good news: Despite
scheduling “MacGyver,” CBS was scrapping its pilot film. Peter
Lenkov (who did the “Hawaii Five-0” reboot) would write and
produce a new one, with James Wan (“The Conjuring”) directing.
That created last-minute roles for Mays, Sandrine Holt (as the boss)
and Hires.

He'll be working in
Atlanta, where he went to college; he'll be acting without (for now,
at least) doing drastic, rush-hour stunts. “It's the best of
worlds,” Hires said. Occasioally, actors' lives turn out fine.

-- “Rush Hour”
finale, 8 p.m. Saturday, CBS

-- “MacGyver”
debut, 8 p.m. Friday, Sept. 23, also CBS

"Superstore" gets a super spot this Friday


I'm back now from the Television Critics Association sessions in Los Angeles. The 17 busy day were stuffed with interviews and more. In the previous blogs, you'll see the stories I've sent to papers so far. There are a lot more coming, however; here's another: 

 

By Mike Hughes

Imagine that your
uncle's bail-bondsman just landed an ad in the Super Bowl. Or your
3rd-grade music teacher will be opening for Beyonce.

Now you're ready for
a new “Superstore” episode, in the middle of NBC's Olympics
coverage.

Yes, that's a
mismatch: A typical “Superstore” episode last season reached 6.6
million viewers; a recent Olympics night averaged 28.8 million.
Consider this the result of new math and old problems.

“We think that
'Superstore' is really something special,” insists Alan Wurtzel,
NBC's research chief.

Especially if you
remember what happened in recent years. “Everyone who had been ...
through this comedy roller-coaster (said), 'Finally, this feels like
back to an NBC smart, specific show that has heart,” said Jennifer
Salke, the president of NBC Entertainment.

The “must-see”
network of “Seinfeld” had became the must-flee network of “Animal
Practice.” After all its troubles, NBC wants to consider
“Superstore” a hit; after all:

-- Yes, it finished
No. 66 in total viewers; seven shows with more viewers were
cancelled. But if you only consider ages 18-49, which advertisers
prefer, it moves up to a tie for No. 42.

-- Then there's the
notion of the “long tail.” If you include that, said NBC
Entertainment chairman Robert Greenblatt, “the 'Superstore' pilot
actually equaled the 'Voice' season premiere.”

The number of people
who saw the show later – as many as four months later -- matched the
number who saw it the first night. “The Voice” doubled
“Superstore” in instant ratings, but in long-range viewers, the two
were almost the same.

Those viewers found
a show set among workers and shoppers in a big-box store. “We're
representing working-class people, in ... the intersection of
American consumerism,” said America Ferrera, who stars. “You'll
see every race, religion, background, class. And it's so ripe to have
any conversation.”

On Friday, the
conversation turns to the Olympics. Filled with patriotic zeal, Glenn
(Mark McKinney), the store manager, plans a special promotion; some
others are skeptical.

This plays through
the rich variety of the cast. McKinney and Lauren Ash (who plays
Dina, the assistant manager) are Canadian. Ferrera – the only star
with America for a name – is the daughter of Honduran natives. Nico
Santos was born in the Philippines and moved to the U.S. at 16; he plays Mateo
... who, we'll learn Friday, is undocumented.

“Superstore” has
been built on contrasts. In its first moments, Jonah (Ben Feldman)
displayed a sort of middle-class arrogance toward his job. The
contrasts are easy to play, the actors said.

“My mom actually
works at a big-box store,” Santos said. “She works at Home Depot.
So every time she sees an episode, she'll call me, excited.”

Feldman – who grew
up in the Washington, D.C., area, where his dad ran an ad agency –
has opposite roots ... which the Canadians will gladly point out.

“Ben started a
sentence by saying, 'I believe it was Shakespeare who said ...,'”
Ash recalled.

Added McKinney:
“We're not going to get out of here today without him quoting
Latin.”

Colton Dunn, who
plays Garrett, recalled the time actors were chatting with a crew
member about driving a stick shift. “Ben's like, 'Oh, I can be
included in this conversation, because I learned how to drive stick,
too. I learned it when I was in France, in the back country.'”

It was in Provence,
a long way from any big-box store. That's the sort of contrast
“Superstore” savors.

-- “Superstore,”
new episode at 10:30 p.m. Friday, NBC.

-- Second season
starts at 8 p.m. Thursday, Sept. 22. For the first five weeks (when
CBS has Thursday football), it will have a comedy monopoly. Then it
collides with “The Big Bang Theory.”

On the superhero shows -- change, change ... plus gay character, musical numbers, more


(The final day of the Television Critics Association session has brought a flood of news about superhero shows. For other stories from these session, look at the previous blogs ... and keep an eye out for future ones. Meanwhile, here's the story I sent to papers.)

By Mike Hughes

LOS ANGELES -- Life
keeps transforming wildly inside the “Arrowverse.”

Time bends,
dimensions shift, things explode. And next season? One character will
explore a gay sexuality; also, many will burst into song.

That's in four CW
shows -- “Arrow,” “The Flash,” “Legends of Tomorrow” and
now “Supergirl.” In some future season, there might be more.

“One thing about
the Arrowverse (is), we get to see all these characters,” said CW
programming chief Mark Pedowitz. “Now, if someone pops, then you
re-examine.”

All of the shows are
based on DC comics and all are produced by Greg Berlanti, whose other
work has ranged from “Brothers & Sisters” to “Blindspot.”
Now he has a string of changes, including:

-- The gay
character. Berlanti isn't saying who, but promises “it's a
signifigant character.”

-- The musical,
which will be in the second half of the season. It starts with
“Supergirl” and goes to “Flash” -- both starring “Glee”
alumni. “Melissa (Benoit) and Grant (Gustin) are fabulous singers,”
said producer Ali Adler, as are Laura Benanti, Jeremy Jordan (both of
“Supergirl”) and more. Other shows might cross over. “Victor
Garber (of “Legends”) pitched me a couple songs,” Berlanti
said.

-- Another crossover
– this one without songs, in late November. It starts briefly on
“Supergirl,” then spreads across the next three nights.

-- The arrival of
Superman – played by Tyler Hoechlin, who was Derek in “Teen Wolf”
-- in the “Supergirl” season-opener Oct. 10. “She has a famous
cousin,” Adler said, “so why not use him?”

-- More changes for
“The Flash.” Last year, Barry Allen bent dimensions to save his
mother. The new season will have major complications ... and will
introduce Kid Flash, who is Barry's grandson.

-- Other time-travel
complications, especially with the “Legends” Time Masters. “We
blew them up,” said producer Phil Klemmer. “Now the Time Masters
don't exist any more.” That's no solution; now the team has the
responsibility of holding time together.

-- Big changes in
“Arrow,” the show that started this superhero surge. This will be
the last season of flashbacks, producer Marc Guggenheim promised.
This year, those follow Oliver's time in Moscow, becoming part of a
secret organization; in present-day, he's now the mayor, leading a
fresh batch of vigilantes. “So we see him as trainer and trainee.”

-- Plenty of
villains, complications and guest stars. On Flash, Barry must worry
about both Doctor Alchemy and Savitar. On “Legends,” there's
Obsidian, played by Lance Henriksen; on Arrow, it's a Russian, played
by Dolph Lundgren. On “Supergirl,” Sharon Leal (Zuri in “Grimm”)
is Miss Martian.

-- One person not
there as often. When “Supergirl” moved from Los Angeles to
Vancouver, Calista Flockhart (married to Harrison Ford) cut back to
only a recurring role. Part of the season's drama, producers said,
involves who will take her spot as boss.

For now, the new "Star Trek" series is a journey into the unknown


By Mike Hughes

LOS ANGELES -- The
new “Star Trek” series is only four months away, but fans still
don't know many of the basics.

Some of that is a
choice by the “Trek” people. “You'll get a little more
information in October,” producer Bryan Fuller told the Television
Critics Association. “We'll keep building the ... reveal.”

And some is by
circumstance: He doesn't know all the answers, either.

The lead character,
for instance, may or may not be a minority. “We haven't cast her
yet,” he said, “so we don't know what level of diversity she will
be.”

And the scripts are
still fluid. Usually, Fuller molds the first one alone, he said, but
that's not possible “at the pace at which we are launching this.”

In its first two
years, CBS All Access has been a spot to stream what has already
aired. Most people view recent episodes, said All Access chief Mark
DeBevoise; 10 per cent dive deeper into the library.

But now comes its
first original series: “Star Trek: Discovery” will air its opener
on CBS in January; after that, all the episodes (13 per season) will
only be on the $6-a-month All Access.

“We think there's
the potential for 15 million-plus viewers on our premiere episode”
on CBS, DeBevoise said. So there will be no dallying; here's what
Fuller told reporters:

-- For the first
time, “Trek” won't center on a captain. “We've seen six series
now, from captains' points of view. (Now we want) to see a character
from a different perspective on a starship.”

-- And for the first
time, this will have a heavily serialized first season. There will be
other stories along the way, but the season will focus “on a
journey that is going to teach her how to get along with others in
the galaxy .... To truly understand something that is alien, she has
to first understand herself.”

--This is set about
a decade before Kirk becomes captain. By some counts, that makes it
about 2256; that's about 90 years after the “Star Trek: Enterprise”
series begins and 85 years after the Romulan War.

-- Yes, these people
could meet Kirk's crew ... but not in the first season, which will be
too busy.

-- The crew will be
more diverse than usual. “We'll probably have a few more aliens
than you normally do in a 'Star Trek' cast. Usually, you've got one
person with a bumpy forehead and then seven others who look
relatively human.”

-- A least one
person will be gay. Fuller -- who's gay and a life-long Trekker --
remembers his first gig on a”Trek” series. “I still have, in a
file folder in my garage, the hate mail that 'Star Trek: Voyager' got
because there was a rumor that Jeri Ryan's character was going to be
gay.”

-- Then there's that
name. “Trek” fans sometimes go with initials – TNG (“The Next
Generation”), DS9 (“Deep Space 9”) and such. Now “Star Trek:
Discovery” steps in. “There's a reason we call it 'STD.' It's not
a nebular you're flying through; it's cloudy discharge.”

That comment
reflects Fuller's approach. Many of his shows -- “Pushing Daisies,”
“Wonderfalls,” “Dead Like Me” -- reflect his offbeat wit.
“Brian Fuller is weird, funnier than anyone you'll ever see,”
said Alex Kurtsman, who is producing the new show with him.

“Trek” has had
some funny moments in the past; “'Bride of Chaotica' is hilarious,”
Fuller insists. Many, however, have been about as funny as a Vulcan
zoning commission meeting.

For now, Fuller
might sideline his humor. When “I got to do 'Hannibal,' (it) was a
completely different muscle.” (“STD”) will be “almost like a
hybridization of those lighter tones with the darker tones.”